Posts tagged "television"

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Doing transmedia television right: “Castle” and Richard Castle’s official home page

Maybe it’s the strength of Nathan Fillion’s performance of “Richard Castle,” or maybe it’s the scope and skill from the writers of “Castle,” but the writer at the centre of prime-time procedural “Castle” has such a distinct character voice, with such a richly detailed backstory, that it almost seems effortless to create a believable website for this character.

RichardCastle.net is the official homepage for Richard Castle, a long-time author who has found inspirado shadowing a foxy NYPD cop. His site contains a blog which sees the writer reflecting on each week’s case, from lessons he’s learned, to sharing easter eggs such as wedding programs and other photos. The rest of the site includes a self-written bio, a Q&A, and a complete listing of his books, including the “out of print” editions that may not have covers (yet), but live on in proper “Castle” chronology. 

I love that the site also links out to Richard Castle’s Hyperion books author page (which to their credit, doesn’t break the conceit) as well as his Twitter and Facebook profile. But the best part of the whole thing is that they keep Castle’s voice consistent and active through every page, so you really feel like this is his site, and that he would say/write all of these things. 

And now, after reading Frank Rose’s “Art of Illusion,” I also appreciate one aspect of “Castle” that has made the show such a true transmedia hit; The world of “Castle” is richly detailed with a very specific mythology and well thought out, which makes world-extension natural and satisfying from a fan perspective. On the surface, “Castle” is another buddy-cop police procedural with a will-they-or-won’t-they storyline at the heart of it. The NYPD cops themselves don’t have too rich of a world of their own (besides New York city itself), they function just as players in solving weekly mysteries, but Castle… Castle is the perfect vessel for multi-platform storytelling. 

It comes down to details… and with TV, we can get those details episodically, morsel by morsel, because it’s not constrained by running time like films. And as those details come out, mythology is built… and it’s up to the creators of these shows to have at least some idea of what these details mean, or else it just adds up to one big shaggy dog story, ala “Lost” or “Prison Break.”

But Castle, as a man with many passions, experiences, friends in low places, high places, memories, talents, and a career, becomes a larger-than-life foil that can’t be contained through the episodic broadcast alone! And because he has all these things, he can name drop something without having to explain it in a big way, and that allows fans to imagine what that thing he named could be. A good example are the old book titles… he doesn’t go into what each old book was about, but fans can imagine. Then, a site like RichardCastle.net takes it that much further by creating a chronology and synopsis for all these Castle titles, allowing fans to go beyond “What’s it about,” to “What could happen”? In my opinion, this is when TV sites work best, and I love “Castle” and all the platforms they branch out to in order to bring one of the best characters on TV today to life. 

(Source: richardcastle.net)

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Drive-thru wisdom from “Awake”

I’ve mentioned this before, but NBC is really good at turning out quick little features that tie into their series, and “Awake” has been one of those shows to do it really well. I really, really love “Awake” as a series, and with so many hooks to latch onto, NBC demonstrates how to build some of those elements out in simple, yet effective, pieces.

In a recent episode, the show’s protagonist, Michael Britten, drives up to a fast-food taco joint, and following his order, he begins to hear… instructions. Words of advice, really. It’s never explained who is speaking to him over the intercom (yet). It’s one of many David Lynch-style elements that continue to complicate Michael’s world. 

Keeping with that episode’s strange twist, NBC has produced a little “Drive Thru Wisdom” feature out of that element, which with every re-load, gives a new piece of advice. I like how it’s incorporated the logo/design of the restaurant from the show, even if I have yet to find a real “clue” about Michael’s conditions or the conspiracy surrounding his “accident” in it’s phrases.

Maybe I’m not looking deep enough?

I like that NBC has me asking that question.

(Source: nbc.com)

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We don’t really consume popular culture anymore, certainly not as a linear narrative. Instead, we co-create it, by deconstructing plot twists in elaborate blog posts, contributing to extensive fan wikis that delve into the motivations of each character, and creating our own parallel narrative in virtual worlds and alternative reality games built around films and TV shows.

- Gaurav Mishra, “The Storytelling Mandala: Purpose-Inspired Transmedia Storytelling”

(Source: gauravonomics.com)

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The television of the masses which emerged during the previous century to inform, teach and entertain and was controlled by the State has died. All of the public television stations are in crisis and commercial television, though highly competitive, is losing audiences and advertising. Young people are now deciding how to do these three things. That form of television is changing at the hands of the internet. The logic of demand is changing to the logic of choice. It is the viewer who decides what he wants to see.

- Jose M. Alvarez-Monzoncillo, a professor of Audiovisual Communications at the Rey Juan Carlos University in Madrid

(Source: henryjenkins.org)

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Television is not a device, but rather an experience. And an experience that largely takes place in the hearts and minds of the people at the other end of the storytelling.”

“Distribution is not all that matters. It is fundamentally important if you can’t get the content.. but it’s not the distribution method that defines the experience… It’s the thing that should disappear into the background, and that you completely forget about.”

“It’s not about gimmicks, it’s about great storytelling.

- Canadian MGM President, Television Group and Digital Roma Khanna, at 2012 MIPCube